MARG1N
MARG1N : a print-only magazine on Southeast Asian cinema based in Phnom Penh
made with the support of Anti-Archive.
Softcover, 128 pages.
150 mm x 120mm
English
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Each annual issue will feature two Southeast Asian countries under a specific theme. The magazine celebrates and bridges passionate writers, artists, and filmmakers through the lenses of marginalized cinema. MARG1N focuses on Southeast Asian artistic peripheries and sociopolitical bizzaro, expression, resistance, and liminality.
Issue 1, titled "pirate.lov3r.2024.mkv" highlights Khmer and Filipino perspectives on piracy as part of our cinema culture. The issue raises the question of our viewing habits—our downloading, sharing, and stealing. Not only images and stories from those behind and in front of the camera, but those that come in contact at the end: us, the audience. Film piracy culture is one that is prevalent, because we're so embedded in the norm. It's addressed in this first issue between Cambodia and the Philippines, which will have twenty pieces interlacing each other. The content is composed of film essays, interviews, experimental pieces, stories, comics, and urban photographs. Words from filmmakers, actors, critics, editors, and viewers.
_
MARG1N : a print-only magazine on Southeast Asian cinema based in Phnom Penh
made with the support of Anti-Archive.
Softcover, 128 pages.
150 mm x 120mm
English
_
Each annual issue will feature two Southeast Asian countries under a specific theme. The magazine celebrates and bridges passionate writers, artists, and filmmakers through the lenses of marginalized cinema. MARG1N focuses on Southeast Asian artistic peripheries and sociopolitical bizzaro, expression, resistance, and liminality.
Issue 1, titled "pirate.lov3r.2024.mkv" highlights Khmer and Filipino perspectives on piracy as part of our cinema culture. The issue raises the question of our viewing habits—our downloading, sharing, and stealing. Not only images and stories from those behind and in front of the camera, but those that come in contact at the end: us, the audience. Film piracy culture is one that is prevalent, because we're so embedded in the norm. It's addressed in this first issue between Cambodia and the Philippines, which will have twenty pieces interlacing each other. The content is composed of film essays, interviews, experimental pieces, stories, comics, and urban photographs. Words from filmmakers, actors, critics, editors, and viewers.
_
MARG1N : a print-only magazine on Southeast Asian cinema based in Phnom Penh
made with the support of Anti-Archive.
Softcover, 128 pages.
150 mm x 120mm
English
_
Each annual issue will feature two Southeast Asian countries under a specific theme. The magazine celebrates and bridges passionate writers, artists, and filmmakers through the lenses of marginalized cinema. MARG1N focuses on Southeast Asian artistic peripheries and sociopolitical bizzaro, expression, resistance, and liminality.
Issue 1, titled "pirate.lov3r.2024.mkv" highlights Khmer and Filipino perspectives on piracy as part of our cinema culture. The issue raises the question of our viewing habits—our downloading, sharing, and stealing. Not only images and stories from those behind and in front of the camera, but those that come in contact at the end: us, the audience. Film piracy culture is one that is prevalent, because we're so embedded in the norm. It's addressed in this first issue between Cambodia and the Philippines, which will have twenty pieces interlacing each other. The content is composed of film essays, interviews, experimental pieces, stories, comics, and urban photographs. Words from filmmakers, actors, critics, editors, and viewers.
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